This time I reduced the elements in the painting, and added a fence to try to help with perspective. I still relied too heavily on the masking fluid, and the house looks like it�s been cut and pasted into the painting. The scale is off for the field, and those mountains (where�d those come from?) are crazy bossy because of the strong contrast from light to dark. As a composition, this is better than the others, but the values are still way wrong.